Corridors and Staircase Landing
Light switches are located in each floor’s electrical room (wings are labelled sinistra or sx, and destra or dx).
- There are two sets of lights in each corridor from the first to the third floors:
- “ORDINARIA”: the four LED bulbs at the center of each wing, which are used ordinarily. These are connected to the movement sensors in the corridor ceilings (explained below).
- “NOTTURNA”: the continuous lights at the edges of the corridor ceilings. These are connected to the CREPUSCOLARE switches (explained below).
- “ORDINARIA” and “NOTTURNA” sets each have:
- a MAIN SWITCH with ON (up) and OFF (down) setting,
- and an OROLOGIO switch with clock timer switch with three positions: “1” (on), round “clock icon” (automatic, which follows the clock), and “0” (off).
- The ORDINARIA in addition are switched on by the movement sensors fixed at the corridor ceilings, when its orologio is set to on (“1”), or when the time slots are active (“clock icon”, or automatic). Instructions:
- Set MAIN SWITCH UP (on).
- Put OROLOGIO to “CLOCK ICON”, then set time that the lights should switch on when movement is detected (more or less 30 minutes before sunset, until 30 minutes after sunrise). Make sure the OROLOGIO clock indicates the correct time.
- On the other hand, to always switch on the ORDINARIA whenever movement is detected, regardless of the time of day, put OROLOGIO to “1” (on).
- The ORDINARIA will always be switched off when there is no movement. To provide continuous lighting, use the NOTTURNE instead.
- On the second floor, the ORDINARIA has an additional switch to the right of the clock, with two options, “MANUAL” and “AUTOMATIC”. Set it to “AUTOMATIC”, otherwise lights will disregard the OROLOGIO and function 24 hours.
- On the third floor, the ORDINARIA has an additional switch beside it (“1”, “AUTO” and “0”). Set it to “AUTOMATIC”, otherwise lights will disregard the OROLOGIO and function 24 hours.
- The NOTTURNA have in addition a “CREPUSCOLARE” switch, activated by ambient light level. A good setting is at 40. The CREPUSCOLARE switch should be set to “AUTO” or “ON” (on all the time, that is, regardless of the light level) rather than “LIGHT ICON” (depends on light level). Note however that the NOTTURNE at the beginning were actually designed to be the ORDINARIE (that is, used in ordinary situations); but since they are not really that necessary at the current setup, they are now switched off all the time.
- For the 1st and 2nd floors: put main switch DOWN (off) and OROLOGIO to “1”. This is because the NOTTURNA are not normally used, but could be switch on as needed (when cleaning corridors, etc.).
- For the 3rd floor: put main switch UP (on), but OROLOGIO “0” (off). This is because the main switch controls not only the NOTTURNA (which should be off, having the ORLOGIO switch set to “0”); the main switch also controls the lights outside the 3rd floor balconies at the extremes of both wings (which should be able to be switched on or off anytime). When light is needed, just put OROLOGIO to “1” (on).
- NOTE: The left and right wings have separate sets for NOTTURNA on the first floor, but are together in the same switch on the second (indicated as “sx /dx” together) and third floors (only “LUCE NOTTURNA” indicated, without sx or dx).
The SCALE (lampade scale, or lights at the staircase landing, not at the staircase itself) have an on and off switch. They also have their own light sensors switch in the cabina: Manual means on all the time, and Automatic means on when sensors detect movement.
When set to Automatic (movement detection), the SCALE lights follow the OROLOGIO schedule of the ORDINARIE (above): hence they can be activated by movement within the set schedule when the OROLOGIO is set to “A”, or anytime when set to “1”.
On the other hand, all the lights of the staircase itself (not the landing) have a single switch in the portineria, also with its own crepuscolare.
Adjust the CREPUSCOLARE level as desired. Wait a few minutes before the desired setting switches the lights on or off as desired. It is necessary to observe the settings a few days until they are finally fine tuned. A good setting could be 40.